\nMinou Arjomand draws on a rich archive of postwar German and American performances to reveal theater as a place for forms of judgment that are inadmissible in a courtroom but indispensable for public life. Staged weaves together theater history and political philosophy into a powerful case for...
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Minou Arjomand draws on a rich archive of postwar German and American performances to reveal theater as a place for forms of judgment that are inadmissible in a courtroom but indispensable for public life. Staged weaves together theater history and political philosophy into a powerful case for the importance of theaters as democratic institutions.
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